Gardens by Design. Formal and Informal Garden Designs by Harold Caparn

The Briarcliff Manor-Scarborough Historical Society (BMSHS) recently organized a presentation on Harold Caparn, a well-known landscape architect. The presentation was titled “Gardens by Design. Formal and Informal Garden Designs by Harold Caparn” and it was given by a relative of Caparn’s: Oliver Chamberlain. About 25 people attended.




Harold Caparn opened his landscape architecture office at Yonkers, NY, in 1898. Besides commissions for private estates, he won a competition to design two Yonkers city parks. Working as a one-man firm, he gave personal attention to his clients, drawing plans, selecting plant material and overseeing the implementation of the plan to his exacting requirements.

After four successful years in Yonkers, he moved his office in 1902 to 156 Fifth Avenue in Manhattan. He was already engaged in designing The Bronx Zoo.

Caparn worked from late 1899 through 1904 as the landscape architect of the New York Zoological Park-The Bronx Zoo-the largest metropolitan zoo in the United States. He designed the Entrance Concourse and central Court, working alongside Heins and LaFarge, the architects of the animal buildings. He laid out open-air animal areas and walkways giving access along the Bronx River and to the outdoor animal exhibits. The Bronx Zoo is now a designated New York City Landmark.

Because of the quality of his landscape designs and his published articles, in 1905 he was elected a Fellow of the American Society of Landscape Architects (FASLA).

Caparn designed the estate and business landscapes for many clients from 1900 through the mid-1930s who were well-to-do and leaders in business, such as William Tully, Counsel for the Metropolitan Life Insurance Co., whose home and estate was on the north shore of Long Island. Caparn designed a rose garden for Tully that became the model for the rose garden of the Brooklyn Botanic Garden. Caparn also designed the grounds and entrance for the Tully estate.

He also designed the landscapes for two notable houses (Greylock and Hohensichtlich) in Briarcliff Manor, where Caparn himself also owned a house.

Oliver Chamberlain has published articles on Harold Caparn and Caparn’s early employer J. Wilkinson Elliott and has provided text and photographs on Elliott and Caparn for The Cultural Landscape Foundation’s “Pioneers,” online. He has provided the entry on Caparn for the book Shaping the American Landscape, published in 2009. Chamberlain published his book Landscapes and Writings of Harold Caparn, 1890-1945, in 2013.

Chamberlain has held faculty and administrative positions at Bowling Green State University, OH, and the University of Massachusetts Lowell. He is the fifth generation of the Caparn/Chamberlain family with interests in the art of landscape design and visual and performing arts.

Some sources for the book come from his personal family collection, others from his extensive research. He lives with his family on a plot he has designed near Providence, R.I.

Below: our presenter Oliver Chamberlain with BMSHS Executive Director, Karen Smith down by the Hudson River where we had dinner after the presentation.

Getting into Video

For some time now I’ve been wanted to learn more about video. When I recently bumped into a YouTube review or this combination still camera/video camera and gimbel I thought it might help me overcome whatever block I have that stops me getting into video. So I got the camera. A few months later I also acquired the DJI Mic 2. That’s what’s in the box to the right of the camera.

A review in Videomaker (See: DJI Osmo Pocket 3 review: A major step forward concludes:

The DJI Osmo Pocket 3 is a significant upgrade from its predecessor, the Pocket 2. This handheld three-axis gimbal camera boasts a one-inch sensor for improved image quality, advanced autofocus for rapid and precise focusing and enhanced low-light performance. It’s tailored for solo filmmakers seeking a portable, all-in-one solution. With a body measuring 5.5 x 1.7 x 1.3 inches and a weight of 6.3 ounces, the camera maintains its compactness while offering a two-inch rotating touchscreen for ease of use in various shooting modes.

Key features include the ability to shoot 4K video up to 120 fps and 1080p at 240 fps for slow-motion effects. The camera offers 10-bit HDR color, useful shooting modes like ActiveTrack 3.0, and panoramic capabilities without the need for a tripod. Its three-mic array captures clear audio, but there’s also support for the DJI Mic 2 for enhanced audio capture. The Osmo Pocket 3 also offers IP streaming with HD livestream capabilities and a timecode function for multi-camera synchronization. While app compatibility enhances the camera’s functionality, activation is required before use.

Overall, the DJI Osmo Pocket 3 is a worthy camera for creators who need a powerful, versatile camera that offers both high-quality imagery and professional features in a compact form factor. If you currently have the Pocket 2 and wonder if you should upgrade to the DJI Osmo Pocket 3, we’d say go for it.

I haven’t been able to use it much yet, but after a few preliminary attempts I thinks it’s something I could easily get used to. Stay tuned.

Taken with a Fuji X-E3 and Sigma 18-50mm f2.8

Into the Woods

Although I walk around a lot, I suddenly realized that I hadn’t been for a walk in the woods for some time. Summer in New York’s lower Hudson valley is extremely hot and humid. And when it’s not hot and humid it rains. I don’t like to go out in this kind of weather. However, it’s now Autumn, the temperatures are much lower and we’re going through a dry patch at the moment. So, off I went for what turned out to be a 2.5 hour walk in the woods.

I’d hoped that the leaves had changed by now but, unfortunately only a few of them had. This was the first of the disappointments I encountered:

The second was my choice of camera – A Sony RX10 IV. I’d used it before, but mostly in fairly bright sunlight – and it did a great job. However, I discovered that it’s not all that good in the woods. Light in woodland tends to be very bright in some patches, and extremely dark in others. Unfortunately, the one-inch sensor in this didn’t have enough dynamic range to cope with this. I tried to bracket shots so that I could blend them together when I processed them, but unfortunately this doesn’t work well when things (in this case leaves) are moving around, in this case in the wind. Still, even though the pictures as not as good as I would have liked them to be, I think they’re good enough for sharing online e.g. on this blog, on social media etc.

The third was my choice of footware. I recently bought a new pair of shoes and was breaking them in. It was probably not such a good idea to do this during a fairly long (for me) walk. Soon after I finished the walk my feet and legs started to hurt.

Still, I had a great time and intend to do more – assuming the weather holds and my feet/legs improve.









Taken with a Sony RX10 IV

A stone wall

This ordinary picture of a somewhat unassuming wall is all that remains of what was at various times the site of three different bodies that played important roles in the history of Briarcliff Manor:

  • The School of Practical Agriculture and Horticulture.
  • Pocantico Lodge
  • Miss Knox’s School

The building that housed these three entities remained more or less the same (see below). It was just the occupants who changed. It burned down during the occupancy of Miss’s Knox School and was not rebuilt. The attractive Tudor revival building seen in the background in the second picture above is called The Manor House. It was built later (in 1925) and I’ve already posted about it (See: The Manor House).

If you’d like to know more about this story, take a look here: The School of Practical Agriculture and Horticulture/Pocantico Lodge/Miss Knox’s School. Notebook 2024 – 11

Taken with a Sony RX100 III