A Walk through Peekskill – Diver Statue

Another of the interesting sculptures along the Peekskill Waterfront. I’ve taken pictures of it before (See: Peekskill Riverwalk Park – The Golden Mean) but I thought I’d revisit it because a twin of it was apparently on display at the recent Paris Olympics.


According to a recent Peekskill Herald article entitled: “Peekskill’s ‘Diver’ at the Olympics“:

Visitors to Paris for the Olympics might catch a glimpse of the same iconic Peekskill diver that graces our riverfront. The 16-foot tall sculpture that sits at the Peekskill riverfront has a twin that is in front of the Eiffel Tower for the Summer Olympics. Artist Carol Feuerman’s sculpture was chosen by Anne Hidalgo, the mayor of Paris for exhibition during the Olympics and Paralympics. In this TikTok short video, Feuerman narrates while the diver is installed at its City of Lights base.

Feuerman’s sculpture, whose official name is The Golden Mean was part of the art festival known as Peekskill Project V in 2013. Originally on temporary loan to Peekskill during the public art project, through the efforts of Hudson Valley Museum of Contemporary Art (HVMOCA) and the generosity of the artist, the work was made affordable for purchase by the City of Peekskill.

In a map created by HVMOCA of public art in Peekskill, Feuerman’s piece was described as “a sculpture crafted in bronze of a male diver, his cap featuring gold leaf detail. The choice of a black and naturally bronzing patina as opposed to a realistic finish that is the usual hallmark of the artist, was made purposefully so that the sculpture creates a silhouette at varied times of the day, a majestic tribute to the beauty of the athlete, a bow to the Greek classical works of the past. Perfectly balanced and stalwart, it stands on the Peekskill Riverfront Green, as a beacon to human ambition and artistic accomplishment, visible to travelers on Metro North. It quickly became an icon on the waterfront, with hikers and visitors at all times of the year shooting and posting selfies.

Weighing 1500 pounds, the diver had a specially crafted steel base for support. Under supervision of members of the Department of Parks and the Department of Public Works, a backhoe was brought in to dig a deep pit into the ground to house the base. Though created based on measurements given to the fabricator, the base had to nevertheless be refined and retooled on site to hold the diver securely in place.”

Because casting in bronze is extremely expensive, artists create limited editions of pieces. It took Feuerman some five years to create The Golden Mean. Her process is documented in this video.

Taken with a Sony RX10 IV

A Walk through Peekskill – Huygen’s Helmet

The Peekskill Waterfront abounds with lots of artworks. I’ve taken pictures of most of them during earlier visits, so I didn’t bother this time. I’d taken a picture of this one before too, but that time I’d taken a picture of the full artwork with the Hudson in the background (see picture below). This time, however, I decided to put my head inside and see what kind of picture I could get…maybe something a bit more abstract?

A nearby sign reads:

Serge Onnen
Dutch, born 1965
lives and works in Amsterdam and New York

Huygen’s Helmet, 2009
Materials: Welded metal, pvc pipe, structolite.

HVCCA exhibition ‘Double Dutch’
Support generously given by FONDS BRVB
and the Mondriaan Foundation.

Double Dutch was an exhibition celebrating the Quadricentennial of the Dutch discovery and settlement of the Hudson River, which took place between September 12, 2009 and July 26, 2010 at the Hudson Valley Center for Contemporary Art (HVCCA). The exhibition curated by Marc and Livia Straus showcased contemporary Dutch installation art.

“Double Dutch” artists included: Marc Bijl, Martha Colburn, Fendry Ekel, Dylan Graham, Folkert De Jong, Job Koelewijn, Maartje Korstanje, Alon Levin, Erik Van Lieshout, Serge Onnen, Daan Padmos, Karen Sargsyan, Lara Schnitger.

First picture taken with a Sony RX10 IV, second with a Sony RX100M3

An Exhibition

Above: the cover page to the exhibition brochure. I guess that they do this exhibition annually, because although the brochure reads “2023” it seemed to work with no problems for this exhibition taking place in “2024”. In any case the brochure provides very little text, and only five examples of the over 60 exhibited works. Or possibly I picked up the wrong brochure?

I’ve been to the Newington-Cropsey Foundation a couple of times before. The first time (See: Newington Cropsey Foundation, Hastings on Hudson) I got as far as the garden, but the house was not open for visitors. This post also contains basic information on the Foundation, which is just as well because as of today (6/1/2024) their website merely provides a splash screen informing you that a new website is coming soon and providing some basic contact information. The second time I didn’t even get as far as the garden, and merely took a few pictures through the fence.

Still, I was determined to come back and see the interior of the house. So, when I saw that this exhibition was taking place I decided to go again.

First stop was the gardens again – with a few shots of the exterior of the house.

Above: Saint Michael the Dragonslayer. An inscription on the base reads: “A victorious St. Michael lays down his sword having won the final battle for our God”.

In spring, 2000, on the Newington-Cropsey Foundation property in Hastings-on-Hudson, a bronzed statue of St. Michael was installed. Saint Michael is watching over the Gallery of Art Building with a pensive countenance. He’s kneeling, resting on his sword having just expelled the Dragon from Heaven. The statue is very significant to the Foundation, particularly as we entered the new millennium in a dark period in American art and culture. One of the goals of the Foundation is to bring to light the virtues of classic art training and strong cultural values. The recently discovered Dead Sea Scroll, War of the Sons of Light Against the Sons of Darkness, calls St. Michael the Prince of Light. Traditionally, chapels, (Michael’s Mounts) and statues devoted to Michael are erected in trying times when the Earth Dragon is thought to be strong.

The Foundation seeks to shed light on present times and reveal the goodness that exists in our world be sharing our permanent collection, programs, and events with the public.

The artist that created Saint Michael is Barbara Newington, founder of the Newington-Cropsey Foundation. Mrs. Newington is a great-granddaughter of Jasper F. Cropsey, Hudson River School artist. The Foundation was originally conceived as a venue to display and preserve the works of Cropsey and his home Ever Rest, a National Register Historic Site. (Text from an attractive brochure available in the lobby of the house).







Above a view through the gate to the Foundation towards the Hudson River. In the background you can see the iconic Irvington Water Tower. (See: A Walk Around Hastings-on-Hudson. The Iconic Water Tower).

Then finally on to the house. I’d already passed a security guard on entering the property. When I got to the lobby, I encountered two more who directed me to the elevator to the second floor where the exhibition was. When the elevator doors opened, I was greeted by two more people. This time they seemed to be docents rather than security. They gave me the above brochure and I walked around by myself looking at the paintings. Everyone (guards, docents) was very friendly. The docents didn’t offer to answer questions, but I’m sure that if I’d asked one (which I didn’t) they would have.

I wasn’t allowed to photograph, so to give a feel for the exhibit, I’ve provided a couple of links of two of the pieces on display


Harro Maas. Freedom is Calling, 2023. Mallard. Acrylic on hardboard.


Rick Pas, United States. The Comic Wood Duck, 2022. Acrylic on PVC panel.

How did I feel about the exhibit. To be honest it didn’t really do much for me. Just not to my taste I suppose.

Now Cropsey‘s works are another matter. I’m very fond of the Hudson River School artists, and from the brochures and what little I saw of the house there seems to be a good selection of Cropsey’s work there. Unfortunately, I wasn’t allowed to see the rest of the house – just the room where the exhibition was taking place.

I asked the docents what I needed to do to see the rest of the collection. They informed me that I have to make a reservation for a tour and told me how to do that. So, it looks like I’ll be going back to the Newington Cropsey Foundation. It’s a really pleasant spot right next to the Hudson River and the Hastings-on-Hudson train station. The garden is small, but very attractive. A tranquil spot, it’s perfect for just sitting, reading, and reflecting. The house exterior is beautiful and from what I saw of it the interior seemed spectacular. If I lived in Hastings-on-Hudson I’d probably be there all the time – at least in the garden.

Taken with a Panasonic Lumix GX85 and Lumix G Vario 14-140 f3.5-5.6