The Graves Mausoleum in Sleepy Hollow Cemetery, New York.
Taken with an Olympus OM-D EM-10 and Panasonic Lumix G Vario 14-42 f3.5-4.6 II
Photographs and thoughts on photography and camera collecting
Once they are buried, most people stay put. Such was not the case for Harry Helmsley, who was born in Bronx, New York. His formal schooling ended in high school, but he got into the real estate business at age 16 and eventually became a broker. With shrewd investing he built a real estate empire that included lofts, large residential developments, offices and hotels. When he died his empire, including interests in the Empire State Building, One Penn Plaza, and numerous hotels, he was worth approximately $1.7 billion. In 1938 he married Eve Ella Sherpick Green but divorced her in 1971. In 1972 he married Leona Mindy Roberts.
Leona Helmsley was born Lena Mindy Rosenthal in Marbletown, Manhattan, to Polish-Jewish emigrants. She attended high school in Manhattan but dropped out to seek her fortune in real estate. She married Leo Panzirer in 1938, divorcing him in 1952. She then married Jospeh Lubin, divorced him, married him again and divorced him again. Her real estate career kicked into high gear in 1964 when she started selling condominiums and co-ops. She met Harry Helmsley in 1968 and joined one of Harry’s firms in 1970. After they were married, she devoted most of her time to managing the hotels. She was known as a demanding boss, which earned her the notorious title of the “Queen of Mean”. She was famously quoted as saying “We don’t pay taxes. Only the little people pay taxes”. Her tax-evading ways caught up with her. She was convicted of federal income tax evasion in 1989 and served 19 months of a 16 year sentence.
When Harry died in 1997, his body was placed in the Helmsley Mausoleum in Woodlawn Cemetery in the Bronx. Harry reposed quietly for a few years, but Woodlawn began building a community mausoleum just across the way from the Helmsley mausoleum. The community mausoleum was designed to give the not-so-well-to-do the opportunity to opt for above ground burial. In 2004 Leona Helmsley sued the cemetery for $1.50 million, claiming that the community mausoleum spoiled the “open view, serenity and tranquility” that she it had previously enjoyed. After some legal machinations, all was forgiven and Leona actually gave money to the cemetery’s preservation fund.
She soon found a large plot at Sleepy Hollow high on a hill overlooking the Pocantico River and the Rockefeller estate. That suited her just fine. The 3/4 acre plot assured that nothing could be built nearby. She spent $1.4 million dollars to build a 1,300 square foot Greek Revival style mausoleum and set aside $3 million for perpetual care and maintenance. Helmsley’s will specified that $12 million be set aside for the care of her dog, a puffy Maltese called Trouble, and that Trouble, who died in December 2010 be buried beside her in the mausoleum when she dies. Her request may encounter a small hiccup. New York State law prohibits the burial of pets in human cemeteries. But there are always the iconoclasts who see laws not as edicts carved in stone, but as mere suggestions…And the executors of the estate do have a key to the mausoleum.
The interior of the Helmsley Mausoleum contains three stained glass windows depicting the the New York skyline. Harry’s sarcophagus is inscribed “I wait for the time we can soar together again”. Leona’s is inscribed “I never knew a day I did not love you”. (Stories in Stone New York. A field guide to New York City area Cemeteries and their residents by Douglas Keister).
Taken with a Sony A6000 and Canon 50mm f1.4 LTM lens (I think).
I came across these deer in Sleepy Hollow Cemetery the other day and they weren’t the only ones. As I continued walking I kept bumping into small groups of deer. There weren’t many people or cars around so the deer felt brave enough to wander around. Also the snow had melted in patches so they had some grass to munch on.
Taken with an Olympus OM-D EM-10 and Panasonic Lumix G Vario 14-42 f3.5-4.6 II
I have always felt that this is perhaps the most impressive memorial in Sleepy Hollow Cemetery.
For more information on Owen Jones see my earlier post: Owen Jones Memorial, Sleepy Hollow Cemetery
Taken with a Panasonic Lumix GF-1, Panasonic Lumix G Vario 14-42 f3.5-4.6 II and Lumix G Vario 45-150mm f4-5.6
Many travelers come to Sleepy Hollow in search of its best-known spirit—the Headless Horseman, made famous by Washington Irving’s “The Legend of Sleepy Hollow.” However, these ghost seekers may not be aware of a second local legend, which has haunted the Sleepy Hollow Cemetery for over 100 years: the Bronze Lady.
Larger than life and cast in bronze, the towering figure watches over the mausoleum of Civil War General Samuel Thomas. Though her rather sleepy visage appears more sad than threatening, legend says that at night she comes to life and wanders the cemetery grounds, terrifying anyone who may have entered on a dare.
According to lore, as you get closer to the Bronze Lady, you’ll hear her weeping. If you knock on the door to the general’s mausoleum (once, or three times, depending on whose instructions you follow), you’ll have bad dreams that night.
Finally, if you dare to approach and sit in the Bronze Lady’s lap, she’ll allegedly cry tears of blood. If you further insult the statue—say, by hitting it in the face—you’ll be cursed for life. Thrill-seeking visitors have been known to run screaming from the cemetery after a supposed encounter with the Bronze Lady.
The statue was commissioned by General Thomas’ widow upon his death in 1903. According to The New York Times, the statue’s name is actually “Recuillment, or Grief.” A prominent sculptor of the time, Andrew O’Connor, Jr., created the Lady. Jesse Phoebe Brown, O’Connor’s muse and mistress, modeled for the statue. You can see her likeness in a number of other sculptures by O’Connor, including this one.
Though the Bronze Lady is one of the more popular monuments in Sleepy Hollow’s Cemetery, the widow who commissioned it was not so happy with the finished product. She told O’Connor she had hoped for something more “gay”—a rather odd request for a statue meant for a mausoleum. So, O’Connor cast another, happier head. But as soon as Mrs. Thomas told him she liked it, he smashed it on the floor, telling her: “I just made this to show you that I could do it. I should never let such a monstrosity out of my studio.’’ (The Lineup).
Taken with a Panasonic Lumix GF-1 and Lumix G Vario 45-150mm f4-5.6