A corner of Gilead cemetery

by Posted in Black & White, Cemeteries, Film, Pentax ZX-L, SMC Pentax-F Zoom f3.5-4.5 35-70mm Leave a comment
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I liked the dappled light, and the old gravestones and in the background the old, weathered building with vines growing over it.

Some of the earliest settlers of the region were buried here, when it was attached to a since-demolished Baptist meeting house built in the mid-18th century. Among those buried here later include Enoch Crosby, a Revolutionary War spy believed to be the model for the title character of James Fenimore Cooper’s novel The Spy, and Joel Frost, a local politician who later served in the New York State Legislature and for a single term in the House of Representatives.

The headstones themselves also display an unusual range of funerary art from the first graves through the last historically significant ones, in 1929. The earliest illustrate changing Protestant notions of the role of death in the later years of the 18th century. For these reasons it was listed on the National Register of Historic Places in 1988 (entry #88002684). (Wikipedia)

Taken with a Pentax ZX-L, SMC Pentax-F 35-70mm f3.5-4.5 and Tri-X 400.

Cigar Store Indian

by Posted in Black & White, Film, Pentax ZX-L, SMC Pentax-F Zoom f3.5-4.5 35-70mm, Statues, Things Leave a comment
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This wooden figure stands outside Smalley’s Inn in Carmel, NY.

According to Wikipedia:

The cigar store Indian or wooden Indian is an advertisement figure, in the likeness of a Native American, used to represent tobacconists. The figures are often three-dimensional wooden sculptures several feet tall – up to life-sized. They are still occasionally used for their original advertising purpose, but are more often seen as decorations or advertising collectibles, with some pieces selling for hundreds of thousands of dollars. People within the Native American community often view such likenesses as a caricature or as depictions that perpetuate stereotypes, drawing an analogy to the African-American lawn jockey.

Because of the general illiteracy of the populace, early store owners used descriptive emblems or figures to advertise their shops’ wares; for example, barber poles advertise barber shops, show globes advertised apothecaries and the three gold balls represent pawn shops. American Indians and tobacco had always been associated because American Indians introduced tobacco to Europeans, and the depiction of native people on smoke-shop signs was almost inevitable. As early as the 17th century, European tobacconists used figures of American Indians to advertise their shops.

Because European carvers had never seen a Native American, these early cigar-store “Indians” looked more like black slaves with feathered headdresses and other fanciful, exotic features. These carvings were called “Black Boys” or “Virginians” in the trade. Eventually, the European cigar-store figure began to take on a more “authentic” yet highly stylized native visage, and by the time the smoke-shop figure arrived in the Americas in the late 18th century, it had become thoroughly “Indian.”

Taken with a Pentax ZX-L, SMC Pentax-F 35-70mm f3.5-4.5 and Tri-X 400.