Mr. Law, we need a church – Overview

Every year the Briarcliff Manor-Scarborough Historical Society (where I volunteer) organizes a series of presentations on topics related to the history of the village. This year is the 50th Anniversary of the Society and the centennial of the death of Walter W. Law, the founder of our village. We usually hold these presentations in the Village Vescio Community Center. But this year we’ve decided to do something a bit different. We’ve decided that the focus of our Anniversary year will be on Walter Law himself, and we’re going to try to hold the presentations in some of the village’s Houses of Worship.

We decided that the first of these presentations would be at the Briarcliff Manor Congregational Church (BCC) because of the close relationship between Law and the church: Law contributed the land on which it was built and also donated a number of the spectacular stained-glass windows.

Pastor Todd Farnsworth of the BCC eagerly accepted to give the presentation, which took place February 17th, 2024, and was entitled “Mr. Law, We need a church.”

Above: The church, ready for the presentation.

Taken with a Sony A7IV and Rokinon/Samyang AF 75mm f1.8 FE

Trinity Episcopal Church, Ossining, NY

“Neo-Gothic architecture, popular from the close of the 19th century until the mid 20th century, represented a revival of interest in the Gothic structures of England over the polychrome High Victorian Gothic variants favored over the preceding decades. These structures were less ornate and tended toward a monochrome color scheme, often utilizing rough faced stone cladding, arched windows, and prominent towers with castellated parapets. The Trinity Episcopal Church consists of two wings: a cruciform shaped 1892 main wing and an L-shaped parish hall and cloister, both of which were constructed in 1905. The overall plan of the structure forms a U shape, with a courtyard in the middle. The Church is constructed with rock faced limestone quarried in St. Lawrence County, New York and has random coursing on the stone facing, lending a rough visual appearance. The main wing contains pointed arch windows with stone surrounds and hooded lintels, with irregularly spaced window openings, and a group of wall dormers on the north and south elevations. The main wing’s most prominent feature is the three-story bell tower, which is square in configuration and contains a clock and a crenellated granite parapet. The main entryway on the parish house is also surrounded by crenellation.

The Trinity Episcopal Church is listed as a contributing structure within the Village’s National Register of Historic Places-listed Downtown Ossining Historic District. It is architecturally significant as a well-preserved example of the Gothic Revival style and is culturally significant for its association with the Second Episcopal Parish of Ossining.

Trinity Episcopal Church, constructed in 1892 and located at 7 South Highland Avenue, was built as the home for the Second Episcopal Parish of Sing Sing (now Ossining). This parish was established in 1868 by returning Civil War veterans and held its first meetings in the basement of
one of the buildings in the Barlow Block. The parish later held meetings for a time in the original First Presbyterian Church, a structure that was once located on the same site where Trinity Episcopal Church now sits. After the First Presbyterian Church moved to its present location at 34 South Highland Avenue (see entry), the Parish purchased the site and built the current structure on the property. The three story stone tower that dominates the Church’s main façade was constructed in accordance with a mandate from the Episcopal Church stating that all churches must incorporate a large tower into their design as a visual symbol of this denomination. A number of the stained glass windows in the building were obtained from Tiffany Glass and Decorating Company of New York City and from Gorham Manufacturing of Providence, Rhode
Island.

Robert W. Gibson (1851 – 1927), an immigrant from England, was the architect. He built a number of other religious, institutional, and commercial structures in New York State during his career. These include the following:

• Albany Episcopal Cathedral (Albany, NY – 1884)
• St. Michael’s Church (New York, NY – 1891)
• St. Paul’s Cathedral redesign (Buffalo, NY – 1888)
• Greenwich Savings Bank (New York, NY – 1892)
• Bank of Buffalo (Buffalo, NY – 1895)”

(Village of Ossining Significant Sites and Structures Guide, Page 200)

Taken with a Panasonic Lumix GX85 and Panasonic Lumix 20mm f1.7

A Walk through Ossining – First Baptist Church

On leaving the bookstore I looked towards Route 9/Albany Post Road and the First Baptist Church.

According to “Village of Ossining Significant Sites and Structures Guide, Page 193“:

The First Baptist Church, completed in 1874, is actually the second structure to occupy the site at 1 Church St; the first was constructed in the early 19th Century to house the Sing Sing Baptist Congregation. This congregation was founded in April of 1786 by Captain Elijah Hunter, a Revolutionary War spy who was the founder of the hamlet Hunter’s Landing, an early waterfront settlement located near the current-day train station which grew to later become part of Sing Sing Village. Hunter chose a triangular-shaped site at the center of the Village near the convergence of the Albany Post Road (known today as Highland Avenue or Route 9), Croton Avenue, and Main Street in order to maximize its visibility and emphasize its central importance to Ossining’s religious life. The original First Baptist Church was a place where blacks and whites would worship side by side in a setting that permitted a degree of equality that did not exist elsewhere, a tradition that continued with the construction of the current structure. The original church building was demolished once the size of the congregation grew too large and the present structure was built on the same site. The church was designed by J. Walsh, a Brooklyn-based architect, and was built for a cost of $75,000 in 1874 dollars.

Taken with a Fuji X-E3 and Sigma 18-50mm f2.8