From Blake Andrews blog. Gave me a laugh. I particularly liked numbers 6 and 7:
6. Were you at all put off by the mural-sized piece immediately beyond the entrance depicting a rusty sewing needle penetrating a drop of blood on white background, labeled Untitled #17 (For The Forgotten Seamstress) ?
7. According to the photographer’s artist statement, the show was intended to "transmediate a cross-pollination of historical imagery including personal scrapbooks and obscure FSA outtakes collaged with nonconsensual portraiture, exploring their currency while challenging the dominant patriarchy, but they could also be considered a response to terrorist reportage." Do you think the photographer achieved this? If not, do you think this objective could be achieved by hanging the images slightly lower on the wall